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36 Example Sentences of "at the box"

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Here are 36 examples "at the box" there used in a sentence.
  1. The film debuted at the box office at #1. It was nominated for the Academy Award for Best Sound
  2. Due to World War II, which began in Europe in 1939, Pinocchio and Fantasia failed at the box office. Facing financial difficulty, Disney was forced to slash 12 minutes from the film before final animation to save production costs
  3. The 28th film in the Walt Disney Animated Classics series, The Little Mermaid was released to theaters on November 14, 1989 to largely positive reviews, garnering $84 million at the box office during its initial release, and $211 million in total lifetime gross
  4. In its opening weekend, the film opened in second place at the box office, grossing $21 million. The film saw small decline in later weeks and ultimately grossed just over $100 million domestically and over $325 million worldwide, making it the fifth highest grossing film of 1996
  5. Since 2009 Laika, the stop-motion successor to Will Vinton Studios, has released two feature films, both of which earned over $100 million at the box office; the company has committed to its third film, an adaptation of the 2005 British novel Here Be Monsters!, with a planned release in 2014
  6. The King of Comedy failed at the box office, but has become increasingly well regarded by critics in the years since its release. German director Wim Wenders numbered it among his fifteen favourite films. Also, Scorsese apparently believes that this is the best performance De Niro ever gave for him
  7. In spite of all its success, computer animation still relies on cartoony and stylized characters. 2001 saw the first attempt to create a fully animated world using photorealistic human actors in Final Fantasy: The Spirits Within, which met with moderate critical success but did not do well at the box office
  8. In 2009, Slumdog Millionaire became the first movie shot mainly in digital to be awarded the Academy Award for Best Cinematography and the highest grossing movie in the history of cinema, Avatar, not only was shot on digital cameras as well, but also made the main revenues at the box office no longer by film, but digital projection
  9. Often, the downfall of live-action family films at the box office is their strength on video. Their appeal is to families with young children, who may go to only a couple of movies per year but who will watch many videos multiple times. The teens and young adults who drive blockbuster box-office statistics stay away from family movies."
  10. Despite the box office success of Disney's Lilo & Stitch, the failure of their much-hyped Treasure Planet seemed to ensure that there would be major cutbacks at Disney's animation studio. In 2004, Disney released what it announced to be its last traditionally-animated film, Home on the Range. The film received mixed reviews and was not successful at the box office
  11. Although movie sequels do not always do as well at the box office as the original, they tend to do much better than non-sequels, according to a study in the July 2008 issue of the Journal of Business Research. The shorter the period between releases, the better the sequel will do at the box office. Sequels also show a faster drop in weekly revenues relative to non-sequels
  12. This film did fairly well at the box office, garnering around $38, 625, 550 over a budget of $14 million during its initial release. Its moderate success after its predecessor's failure gave the new management of Disney confidence in the viability of their animation department. This led to creation of The Little Mermaid, released three years later, which signaled a renaissance for the company
  13. In the first half of the 1990s, the genre continued many of the themes from the 1980s. The slasher films A Nightmare on Elm Street, Friday the 13th, Halloween and Child's Play all saw sequels in the 1990s, most of which met with varied amounts of success at the box office, but all were panned by fans and critics, with the exception of Wes Craven's New Nightmare and the hugely successful Silence of the Lambs (1991)
  14. The most expensive film ever made at the time, Waterworld was released to mixed reviews and was unable to recoup its massive budget at the box office. The film's release was accompanied by a tie-in novel, video game, and three themed attractions at Universal Studios Hollywood, Universal Studios Singapore, and Universal Studios Japan called Waterworld: A Live Sea War Spectacular, which are all still running as of 2013
  15. Daisy Miller was unsuccessful at the box office. So were At Long Last Love and Nickelodeon. Feeling against Bogdanovich began to turn. "I was dumb. I made a lot of mistakes, " he said in 1976. He took a number of years off then returned to directing with a lower budgeted film, Saint Jack which was a critical success, although not a large hit. The making of this saw the end of his romantic relationship with Cybill Shepherd
  16. In 2001, Bogdanovich resurfaced with The Cat's Meow. Returning once again to a reworking of the past, this time the supposed murder of director Thomas Ince by Orson Welles's bête noire William Randolph Hearst, The Cat's Meow was a modest critical success but made little money at the box office. Bogdanovich says he was told the story of the alleged Ince murder by Welles, who in turn said he heard it from writer Charles Lederer
  17. Disney had not had a huge hit since Snow White and the Seven Dwarfs. The production of this film was regarded as a major gamble on his part. At a cost of nearly $3 million, Disney insiders claimed that if Cinderella failed at the box office, then the Disney studio would have closed. The film was a huge box office success and allowed Disney to carry on producing films throughout the 1950s. It was the 5th most popular movie at the British box office in 1951
  18. An influential American horror film of this period was George A. Romero's Night of the Living Dead. Produced and directed by Romero, on a budget of $114, 000, it grossed $12 million at the box office in the United States and $30 million internationally. This horror-of-Armageddon film about zombies blends psychological insights with gore, it moved the genre even further away from the gothic horror trends of earlier eras and brought horror into everyday life
  19. In 1942, the adaptation of Bambi, a Life in the Woods was finally completed and Bambi released. The film, however, as Pinocchio and Fantasia, was not well at the box office. Bambi lost money at the box office; out of its $1.7 million budget, it only grossed back $1.64 million. This was due to the fact that the film was released during World War II and the studio no longer had access to many European release markets that provided a large portion of its profits
  20. The 1995 film GoldenEye was the focus of a highly successful BMW campaign, devised by product placement specialist Karen Sortito, which promoted the automaker's new Z3 model. Sales of the Z3 surged as film claimed the top spot at the box office. For the next film in the James Bond franchise, Tomorrow Never Dies, Sortito created a $100 million promotional campaign that included tie-ins with BMW, Visa, L ' Oréal, Ericsson, Heineken, Avis, and Omega SA. The film brought in more than $300 million dollars
  21. Early in the production of The Little Mermaid, Jeffrey Katzenberg cautioned Ron Clements, John Musker, and their staff, reminding them that since Mermaid was a "girl's film", it would make less money at the box office than Oliver & Company, which had been Disney's biggest animated box office success in a decade. However, by the time the film was closer to completion, Katzenberg was convinced Mermaid would be a hit and the first animated feature to earn more than $100 million and become a "blockbuster" film
  22. Most of these films did not make back the costs to produce them. Neither Akira nor Royal Space Force: The Wings of Honneamise were box office successes in Japan. As a result, large numbers of anime studios closed down, and many experimental productions began to be favored less over "tried and true" formulas. Only Studio Ghibli was to survive a winner of the many ambitious productions of the late 1980s with its film Kiki's Delivery Service being the top grossing film for that year earning over $40 million at the box office
  23. Though United Artists survived as a company, Griffith's association with it was short-lived. While some of his later films did well at the box office, commercial success often eluded him. Griffith features from this period include Broken Blossoms, Way Down East (1920), Orphans of the Storm (1921), Dream Street (1921), One Exciting Night (1922) and America (1924) . Of these, the first three were successes at the box office. Griffith was forced to leave United Artists after Isn ' t Life Wonderful (1924) failed at the box office
  24. Sleeping Beauty is a 1958 / 1959 American animated musical fantasy film produced by Walt Disney and based on the fairy tale "La Belle au bois dormant" by Charles Perrault. The 16th animated feature in the Walt Disney Animated Classics series, it was released to theatres on January 29, 1959, by Buena Vista Distribution. It was the last fairy tale produced by Walt Disney for some years, thanks to its initially poor performance at the box office; the studio did not return to the genre until years after Disney's death with the release of The Little Mermaid
  25. Bambi lost money at the box office for its first release; out of its $1.7 million budget, it only grossed back $1.64 million. This was due to the fact that the film was released during World War II and the studio no longer had access to many European release markets that provided a large portion of its profits. Roy Disney sent a telegram to his brother Walt after the New York opening of the film that read: "Fell short of our holdover figure by $4, 000. Just came from Music Hall. Unable to make any deal to stay third week...Night business is our problem."
  26. All of these creative decisions were met with great criticism from fans of Lewis Carroll, as well as from British film and literary critics who accused Disney of "Americanizing" a great work of English literature. Disney was not surprised by the critical reception to Alice in Wonderland – his version of Alice was intended for large family audiences, not literary critics – but despite all the long years of thought and effort, the film met with a lukewarm response at the box office and was a sharp disappointment in its initial release, earning an estimated $2.4 million at the US box office in 1951
  27. By contrast, ceremonies honoring films that have not performed well at the box office tend to show weaker ratings. The 78th Academy Awards which awarded low-budgeted, independent film Crash generated an audience of 38.64 million with a household rating of 22.91%. In 2008, the 80th Academy Awards telecast was watched by 31.76 million viewers on average with an 18.66% household rating, the lowest rated and least watched ceremony to date, in spite of celebrating 80 years of the Academy Awards. The Best Picture winner of that particular ceremony was another independently financed film (No Country for Old Men)
  28. Also in the 1970s, the works of the horror author Stephen King began to be adapted for the screen, beginning with Brian De Palma's adaptation of Carrie, King's first published novel, for which the two female leads (Sissy Spacek and Piper Laurie) gained Oscar nominations. Next, was his third published novel, The Shining (1980), directed by Stanley Kubrick, which was a sleeper at the box office, receiving mixed reviews on release, but eventually began to be considered a classic. Carrie became the 9th highest-grossing film of 1976. King himself did not like The Shining, because it was barely faithful to the 1977 best-seller novel
  29. Originally it was intended to be a short film; however, Disney soon found that the only way to do justice to the book was to make it feature-length. At the time, the Disney Studio was in serious financial trouble due to the war in Europe, which caused Pinocchio and Fantasia to fail at the box office, so Dumbo was intended to be a low-budget feature designed to bring revenue to the studio. Storymen Dick Huemer and Joe Grant were the primary figures in developing the plot. They wrote the script in chapters, much like a book, an unusual way of writing a film script. Regardless of this, very little was changed from the original draft
  30. The biggest success of these years was D. W. Griffith's The Birth of a Nation, made for Triangle. Griffith applied all the ideas for film staging that he had worked out in his Biograph films to a bigoted white southerner's epic view of the Civil War and its aftermath. Despite protests in the northern cities of the United States organized by the National Association for the Advancement of Colored People and others, it took many millions at the box office. Stung by the criticism of his film, Griffith made a new film he had just finished, The Mother and the Law, into one of the strands of an even bigger film with an even bigger theme, Intolerance (1916)
  31. Walt Disney Animation Studios is headquartered in the Roy E. Disney Animation building in Burbank, California, across the street from The Walt Disney Studios, where its original animated studio was located. Satellite studios were located around the world in Paris, France; Tokyo, Japan; and even at Disney's Hollywood Studios, one of the four theme parks at Walt Disney World, Florida, before being shut down in 2003 and 2004 as a result of the continuing struggles of Disney's animated films at the box office. The Hollywood Studios location survives as a show and tour called The Magic of Disney Animation, which highlights the different stages in animating a feature-length film
  32. In addition to becoming a failure at the box office, The Black Cauldron also received mixed reviews, with some critics blaming the film's lack of appeal on the dark nature of the book. It has earned a "rotten" score of 55% at Rotten Tomatoes, with the consensus "Ambitious but flawed, The Black Cauldron is technically brilliant as usual, but lacks the compelling characters of other Disney animated classics." Roger Ebert gave a positive review of the film, while the Los Angeles Times ' Charles Solomon praised its "splendid visuals". London's Time Out magazine deemed it "a major disappointment", adding that "the charm, characterization and sheer good humor" found in previous Disney efforts "are sadly absent"
  33. The film was a financial success at the box office and was the sixth highest grossing film of 1963 in North America, earning estimated rentals of $4.75 million. It was better received by British critics than American critics, who thought it had too much humor and a "thin narrative." Rotten Tomatoes reports that 74% of critics gave positive reviews based on 23 reviews with an average score of 6.1 / 10. Its consenus states that "A decent take on the legend of King Arthur, The Sword in the Stone suffers from relatively indifferent animation, but its characters are still memorable and appealing." Nell Minow of Common Sense Media gave the film four out of five stars, writing, "Delightful classic brings Arthur legend to life"
  34. The start of the 2000s saw a quiet period for the genre. The release of an extended version of The Exorcist in September 2000 was successful despite the film having been available on home video for years. Valentine, notably starring David Boreanaz, had some success at the box office, but was derided by critics for being formulaic and relying on foregone horror film conventions. Franchise films such as Freddy vs. Jason also made a stand in theaters. Final Destination (2000) marked a successful revival of teen-centered horror and spawned four sequels. The Jeepers Creepers series was also successful. Films such as Orphan, Wrong Turn, Cabin Fever, House of 1000 Corpses, and the previous mentions helped bring the genre back to Restricted ratings in theaters
  35. Thus, in 1940, Pinocchio and Fantasia premiered, becoming the second and the third film of the studio, respectively. The both were not very well at the box office, which led Walt Disney to delay the adaptation of Bambi, a Life in the Woods, and advance the adaptation of the Roll-A-Book Dumbo, the Flying Elephant, originally intended to be a short film, in the intention to be a low-budget feature designed to bring revenue to the studio. Dumbo premiered in the following year, and proved to be a financial miracle compared to other films of the studio. The simple film only cost $950, 000 to produce, half the cost of Snow White and the Seven Dwarfs, less than a third of the cost of Pinocchio, and certainly less than the expensive Fantasia. Dumbo eventually grossed $1.6 million during its original release
  36. In 2011, The Lion King was converted to 3D for a two-week limited theatrical re-issue and subsequent 3D Blu-ray release. The film opened at the number one spot on Friday, September 16, 2011 with $8.9 million and finished the weekend with $30.2 million, ranking number one at the box office. This made The Lion King the first re-issue release to earn the number-one slot at the American weekend box office since the re-issue of Star Wars: Episode VI - Return of the Jedi in March 1997. The film also achieved the fourth-highest September opening weekend of all time. It held off very well on its second weekend, again earning first place at the box office with a 27% decline to $21.9 million. Most box-office observers had expected the film to fall about 50% in its second weekend and were also expecting Moneyball to be at first place



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